tube tech cl1b vs la2a
The SOFTUBE plug ins are truly fantastic BUT always remember nothing beats the hardware. Learn More at Universal Audio.
I Tested A New Ua La 2a Vs The Ua La 2a Plug In Gearspace Com
APPOINTMENTS ONLY NO WALK-INS.
. Petersen unveiled the CL-1B compressor his take on the classic optical compression method pioneered by the Teletronix LA-2A but with an additional level of control unlike the LA-2A the CL1Bs ratio threshold attack and release settings can all be changed manually. The longer the LDR gets burned-in on over-threshold signals the slower the release. It depends on the level of talent youre working with.
It delivers a very musical and smooth compression preserving the clarity of the source even at extreme settings and this is where CL 1B really stands out compared to other compressors. I have Dave Hills Flamingo and really like it a lot. Paris France 91 Preferred Seller.
Furthermore the operation is very intuitive enabling you to achieve your goal. The TUBE-TECH CL 1B is an all-tube optical mono compressor. FIRST HALF WITH MUSIC SECOND HALF WITHOUTCompressor shootout with tube tech cl1b stock tubes Unverisal Audio la2a Empirical Labs Distressor and Urei 11.
In todays Episode of Gearfights we will compare the legendary Tubetech CL1b against Softubes official emulation Cl1b mkII. North Hollywood CA 91601 contactsymmetryacademy 1 323 213-9468. And more musical even without attack release control.
Fill Your Cart With Color Today. The tube amplifier circuit is basically the same with the main difference being that the input transformer and the tube amps in the CL2A delivers a more normal amount of gain compared to the CL1B The control circuit has been changed so the CL2As max release time is two seconds. The net result is that we can all now get our hands on incredibly realistic emulations of units as diverse as the Roland TR-909 Tube-Tech CL-1B and Studer A800.
Neumann CMV563M7 to Aphex 1100 to CL1-B. The LA2A is a very known thick rich sound and thats what you use it for that sound. But the CL1-B brings a modern jazz tenor sax Im recording right now just a bit more to the front.
I know the Tube Tech really has a certain sound but I cant hear it yet. Tonally however it can work. That said I tried it on vocals the other day and it whooped the 1176 which means a lot coming from me since Im a huge fan of 1176 on vocals.
The release characteristic of the LA-2a is nonliner and VERY complex. Tube-Tech CL1B plug-in for TDM and Powercore. Tube-Tech CL 1B Mono Opto Compressor.
The Industry Standard Vocal Compressor. After years of consideration we decided that the time. The LA2As winning combination of electrooptical compression transformers and valve amplification can also be found in a couple of other units wellrespected for vocal use Tube Techs CL1B and Avalons VT737SP so if you like what an LA2A can do for your vocals you may find that these models provide useful alternative colours.
The latter appears to be touted as having a fairly colored sound yet flexible. MEC1A is a compact and cost-effective solution if you need a superior front end that will. Also in another test last month a buddy of mine did a comparison on bass with his reissue LA2A and the Tube Tech.
It seems the units that pop into conversation include the Tube Tech CL1B which is cleaner sounding from what Ive read. The MEC1A is an all-tube mono recording channel combining the classic TUBE-TECH designs. Most la2as are very forgiving and helpful to tame a vocalist that might not have the best control of their dynamics or have less than stellar mic technique.
CL1B will be best for the other 20 if used right. Perhaps some tube saturationforgiving and spongey. Full and warm yet open and transparent.
The TUBE-TECH CL1B is also available for the UA platform. The LA2A seems warmer to my ears. Is the HW really worth 10x as muc.
Jesper Bo from TUBE-TECH demonstrates the CL1B opto Tube Compressor using his own voice as the source and presenting various settings. MP1A mic preamp EQ 1A active EQ and CL2A compressor in one powerful 2U recording package. The CL1B as everyone has pointed out has versatility ie.
In 1987 Tube-Tech founder John G. When Universal Audio announced three new emulations of the classic Teletronix LA-2A compressor it raised a few questions. The LA2a and the Retro 176.
Its modern sounding and is great for most vocalists and bass guitar. Ssltech wrote on Tue 27 February 2007 0938. CL 1B Mono Opto Compressor.
Follow this product to see new listings in your Feed. Mic Pre is the TUBE-TE. Discover The Sweetwater Difference.
Ad Did You Check eBay. 461527 13269 Shipping. The CL-1b is in fact a hybrid design with tube signal path and solid-state sidechain.
Unmatched Customer Service Free Shipping. Ad Fast Free Shipping Personalized Gear Advice Award-Winning Customer Service. GearSlutz Thread about the differences between CL1B and CL2A.
The MEC1A delivers true TUBE-TECH sound. Critically acclaimed jazz and prog rock mixing and mastering engineer Mark Wingfield compares the ACME Audio Opticom XLA-3 Plugin Alliance compressor the So. First TUBE-TECH plug-in released Autumn 2007 by TC Electronic.
LA2A will be best for 80 of vocalists if used right. Side chain speed and it has a lot of features for adjustment.
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